10 film terbaik tahun 2022 2022

Sumber foto: IST.

Film barat masih jadi pilihan hiburan banyak orang di waktu senggangnya. Kamu bisa datang ke bioskop untuk mendapatkan deretan film barat terbaru yang rilis hampir setiap minggunya. Selain itu, sudah ada banyak juga layanan video streaming untuk menyaksikan beragam judul film terbaik.

Genre yang dihadirkan pun cukup beragam, mulai dari action, comedy, horror, hingga drama. Pilih sendiri genre favorit yang ingin kamu nikmati. Yuk, lengkapi daftar film barat terbaru yang bisa kamu saksikan pada 2022 ini.

Baca juga: 21 Daftar Drama Korea Komedi Romantis yang Bakal Sukses Bikin Kamu Baper

Rekomendasi Film Barat Terbaru 2022

Berikut deretan film barat terbaru yang wajib ditonton oleh para pecinta film. Jangan lupa untuk catat tanggal rilisnya, ya!

1. Avatar 2

Tanggal rilis: Desember 2022

Kelanjutan cerita Avatar pun ditunggu-tunggu oleh para pecinta film. Pasalnya, seri pertamanya dirilis lebih dari 12 tahun yang lalu. Selain masalah cerita, proses pembuatan film ini pun terganggu akibat pandemi COVID-19 lalu. Namun, sudah dipastikan bahwa kamu bisa menontonnya pada 2022 ini.

Kisah yang dibawa masih seputar Jack dan Neytiri yang sekarang sudah menjalin keluarga bersama dengan kaumnya. Jack sudah bertransformasi sepenuhnya menjadi Na’vi. Dia pun berjuang untuk melindungi keluarga dan kaumnya tersebut dari serangan musuh-musuh jahat.

2. Thor: Love and Thunder

Tanggal rilis: Juli 2022

Jagoan super dari Asgard akan kembali lagi dalam Marvel Cinematic Universe (MCU). Kali ini Thor mencari kehidupan baru setelah kejadian dalam film Avengers: Endgame (2019) lalu. Thor bergabung ke dalam pasukan Guardian of the Galaxy untuk menjelajahi luar angkasa.

Namun, muncul penjahat kuat yang membunuh para dewa. Thor harus kembali mengeluarkan kekuatannya untuk melawan penjahat tersebut. Dia pun meminta bantuan teman-teman lamanya sekaligus mantan pacarnya, Jane Foster.

3. Top Gun: Maverick

Tanggal rilis: Mei 2022

Tom Cruise kembali ke kursi pesawat jet tempur untuk kembali memerankan Pitt “Maverick” Mitchell setelah lebih dari 30 tahun. Pitt dipanggil kembali untuk melatih para pilot baru guna menjalankan misi khusus. Dalam tim tersebut, muncul juga sosok Bradley Bradshaw, anak dari Nick Bradshaw.

Di sinilah benang merah antara seri pertama dan kedua ini terhubung. Pasalnya, Bradley menuduh Pitt sebagai penyebab kematian dari ayahnya. Konflik inilah yang coba dihadirkan dalam perlatihan menjadi pilot terbaik dalam sekuel Top Gun yang tayang tahun 2022 ini.

Baca juga: 10 Film Perang Terbaik Sepanjang Masa yang Wajib Kamu Tonton

4. Jurassic World: Dominion

Tanggal rilis: Juni 2022

Melanjutkan film Jurassic World: Fallen Kingdom (2018), film ini masih berkutat dengan kehidupan para dinosaurus yang dihidupkan kembali. Namun, kali ini dinosaurus sudah menyebar hampir ke seluruh dunia. Para dinosaurus tersebut pun sudah hidup berdampingan dengan umat manusia.

Sayangnya, kehidupan yang terjadi banyak yang tidak seimbang. Masih banyak spesies dinoasurus liar yang akhirnya membuat onar dalam kehidupan manusia. Owen Grady kembali jadi penengah dalam kasus ini dan menentukan apa dinosaurus akan dimusnahkan lagi atau mencoba cara lain.

5. The Adam Project

Tanggal rilis: Maret 2022

Film barat yang satu ini juga juga jadi pilihan yang bagus untuk diikuti. The Adam Project mengusung genre sci-fi yang bercerita tentang perjalanan waktu. Film yang menghadirkan Ryan Reynolds sebagai pemeran utamanya ini juga menyisipkan komedi dan pesan yang dalam.

Film ini bercerita tentang seorang remaja bernama Adam yang berduka atas kematian ayahnya. Di waktu yang sama, sosoknya dari masa depan pun hadir dengan misi terlarang. Baik Adam remaja maupun dewasa akhirnya bahu-membahu untuk menyelesaikan misi tersebut.

6. Fantastic Beasts: The Secrets of Dumbledore

Tanggal rilis: April 2022

Melanjutkan seri Fantastic Beasts, ceritanya masih seputar dunia sihir dan sekolah Hogwarts. Seperti judulnya, kali ini karakter Dumbledore menjadi sosok yang paling banyak diceritakan. Ternyata, sosok ini punya hubungan dengan penyihir lain yang punya niat jahat.

Dumbledore pun mengutus Scamander untuk membantunya melawan penyihir ini. Scamander pun meminta bantuan pada teman-temannya untuk mengatasi masalah ini. Film ini pun sedikit banyak menjawab sosok Dumbledore yang cukup dicintai di seri Harry Potter.

7. Black Phanter: Wakanda Forever

Tanggal rilis: November 2022

Seri film terbaru dari Black Phanter kali ini bukan lagi berfokus pada T’Challa yang diperankan oleh Chadwick Boseman. Sang aktor sudah meninggal pada 2020 setelah peran terakhirnya pada Avengers: Endgame (2019).  Tampuk kepemimpinan pun diserahkan kepada sang adik, Shuri.

Ada kabar menyebutkan bahwa Shuri akan dipilih sebagai raja dari Wakanda dan menjadi pewaris Black Phanter. Di satu sisi, sosok Chadwick Boseman tetap akan muncul dalam film. Namun, porsinya tentu akan sangat sedikit.

Baca juga: 10 Serial Netflix Terbaik dengan Rating Tertinggi

8. Black Adam

Tanggal rilis: Oktober 2022

Black Adam merupakan sosok antihero keluaran DC Universe. Film ini pun akan menjadi spin off dari seri film Sazham yang dirilis 2019 lalu. Film ini akan menceritakan Teth Adam yang memiliki kekuatan dewa-dewa Mesir kuno.

Karena kekuatan ini juga, Teth Adam dikurung selama 5.000 tahun hingga sekumpulan arkeolog berhasil mengeluarkannya. Banyak kabar yang mengatakan bahwa Black Adam merupakan karakter terkuat dalam DC Universer. Menarik ditunggu sampai kehadirannya nanti, ya.

9. Spider-Man: Accross the Spider-Verse Part 1

Tanggal rilis: Oktober 2022

Film animasi Spider-Man ini juga wajib masuk ke dalam list yang wajib ditonton. Masih bercerita tentang para Spider-Man dari banyak dimensi, film ini tentunya akan menghadirkan cerita yang kompleks. Kabarnya juga akan banyak versi Spider-Man lain yang muncul dalam bagian pertamanya.

Bukan hanya para Spider-Man, penjahat dari dimensi berbeda pun dijanjikan akan bermunculan. Kamu pun bisa mengharapkan cerita yang lebih seru dengan kemunculan banyak Spider-Man layaknya versi MCU-nya.

10. Ms. Marvel

Tanggal rilis: Juni 2022

Seri dari Marvel terbaru yang akan tayang pada pertengahan 2022 adalah Ms. Marvel. Kali ini kamu akan dibawa dalam dunia anak remaja perempuan bernama Kamala Khan. Sebenarnya dia hanyalah seorang remaja biasa yang sangat mengidap-idamkan sosok Avengers dalam hidupnya, terumata Captain Marvel.

Kamala akhirnya menyadari bahwa dia memiliki kekuatan layaknya superhero. Kekuatan yang didapatkannya pun serupa denga beberapa anggota Avenger. Sayangnya, dia malah menjalani kehidupan yang lebih berat setelahnya karena banyak konflik dan penjahat yang kemudian datang.

Baca juga: Film Romantis Barat Terbaik yang Bakal Menguras Emosimu

Itu dia pilihan film barat terbaru yang sudah bisa kamu saksikan sekarang. Tonton film-film keren tersebut di bioskop dapat dapatkan promo menarik dengan pembayaran menggunakan LinkAja. Kamu pun bisa membayar layanan streaming favorit kamu dari aplikasi LinkAja, loh.

Nah, biar nontonnya makin seru kamu perlu ditemani sama makanan-makanan favorit nih. Yuk beli makanan teman nonton kamu di merchant-merchant favorit dan dapatkan promo cashback 10% bayar pakai LinkAja. Cek info lebih lengkapnya di sini.

Yuk, buruan download aplikasi LinkAja dari Play Store bagi pengguna Android dan App Store bagi pengguna iPhone melalui link di bawah ini:

10 film terbaik tahun 2022 2022
 
10 film terbaik tahun 2022 2022

Film apa yg lagi trend?

37 Film Indonesia Terbaru dan Terbaik 2022, Update Bulan November.
"Qorin" (2022).
"Keramat 2: Caruban Larang" (2022).
"Sri Asih" (2022).
"Ashiap Man" (2022).
"Perempuan Bergaun Merah" (2022).
"Qodrat" (2022).
"Inang" (2022).
"Pamali" (2022).

Film apa yg terbaru 2022?

14 Film Terbaru yang Tayang di Bulan Oktober 2022, Banyak Genre....
Prey for the Devil. Poster film Prey for the Devil yang tayang di bioskop Oktober 2022. ... .
2. Halloween Ends. ... .
3. Black Adam. ... .
4. The Woman King. ... .
Sri Asih. ... .
6. Hello Ghost. ... .
7. Don't Worry Darling. ... .
Amsterdam..

Apa nama film yang lagi Viral?

10 Kumpulan Film Terbaru yang Viral di Media Sosial, Dijamin Seru....
PURPLE HEARTS. (credit: imdb.com) ... .
PENGABDI SETAN 2: COMMUNION. (credit: imdb.com) ... .
KKN DI DESA PENARI. (credit: imdb.com) ... .
4. INCATATION. ... .
IVANNA. ... .
6. TOP GUN: MAVERICK. ... .
7. DEAR NATHAN: THANKYOU SALMA. ... .
8. DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS..

Apa saja film action terbaik?

41 Film Action Terbaik & Terbaru 2022, Seru dan Menegangkan!.
Black Panther: Wakanda Forever..
Black Adam..
The Woman King..
Top Gun: Maverick..
The Batman..
The Northman..
Spider-Man: No Way Home..
No Time to Die..

Bioskop film secara resmi kembali. Ketika penawaran sinematik perlahan -lahan kembali ke layar lebar dibandingkan dengan layanan streaming dan berbagai pengecer penyewaan digital, kami di sini untuk memilah apa yang sebenarnya merupakan ledakan terbaik untuk uang Anda di box office.

Tahun baru dan varian Covid baru sedang berjalan lancar, jadi sekarang mungkin saat yang tepat untuk melakukan pengekangan bahkan jika ada penawaran anggaran yang lebih besar mengenai layar lebar.

Tentu saja, gunakan penilaian Anda ketika memilih apakah akan kembali ke bioskop atau tidak, tetapi ada persentase penonton bioskop yang divaksinasi yang semakin menonjol untuk kembali ke depan layar lebar. Dan saya sangat senang mengatakan bahwa kami kembali, di sini untuk membantu.

Yang mengatakan, hal-hal dalam distribusi teater sedikit aneh saat ini, jadi terlepas dari beberapa blockbusters baru-baru ini, ada campuran pemenang Oscar, rilis yang masih ada, Hindia dan klasik yang dipesan-tergantung, tentu saja, di teater. Tapi untungnya, ada cukup banyak film bagus yang benar -benar dirilis baru -baru ini tahun ini bahwa Anda seharusnya tidak memiliki masalah menemukan sesuatu yang bagus untuk ditonton.


10. Barbarian

Tanggal Rilis: 9 September 2022 Direktur: Zach Cregger Stars: Georgina Campbell, Bill Skarsgård, Justin Long Rating: R Runtime: 102 menit September 9, 2022
Director: Zach Cregger
Stars: Georgina Campbell, Bill Skarsgård, Justin Long
Rating: R
Runtime: 102 minutes

Premis sederhana Barbarian, debut horor dari penulis/sutradara Zach Cregger, sudah cukup untuk menginduksi merinding asli. Namun, Cregger mengambil ide menyeramkan dan menyusun kisah teror yang keras, memberikan whiplash kepada penonton dengan setiap wahyu yang tidak terduga. Ketika Tess (Georgina Campbell) tiba di Detroit Airbnb -nya pada malam badai yang paksa, dia menemukan bahwa tidak ada kunci di kotak kunci terenkripsi untuk membiarkan dirinya masuk. Setelah memanggil tuan rumah terbukti sia -sia, dia tiba -tiba melihat lampu menyala melalui jendela depan depan melalui jendela depan melalui jendela depan depan melalui jendela depan depan melalui jendela depan depan melalui jendela depan depan melalui jendela depan depan melalui jendela depan depan melalui jendela depan depan melalui jendela depan depan melalui jendela depan depan melalui jendela depan depan melalui jendela depan depan melalui jendela depan depan melalui jendela depan depan melalui jendela depan depan. . Tess dengan panik membunyikan bel pintu, dan Keith (Bill Skarsgård) yang baru saja membangkitkan dengan canggung menjawab pintu. Menyadari mereka secara tidak sengaja memesan sewa yang sama selama beberapa hari ke depan, Keith segera bersikeras bahwa Tess keluar dari hujan dan mengambil kamar tidur untuk malam itu (tentu saja, dia benar-benar puas dengan mengambil sofa). Anehnya, dia setuju. Meskipun beberapa pemirsa kemungkinan akan membuat keputusan yang sama dengan protagonis film, barbar tidak membuang waktu menciptakan rasa takut yang tebal yang melekat sampai kredit bergulir. Untuk membocorkan rincian lebih lanjut dari plot film ini akan menggagalkan narasi yang berliku, semakin mengejutkan yang dibuat oleh Cregger. Dengan setiap pengungkapan yang menakutkan terasa lebih segar dan aneh daripada yang terakhir, ia didorong untuk masuk ke barbar dengan latar belakang dan konteks sesedikit mungkin. Bahkan mengutip referensi horor Cregger akan berfungsi untuk mengisyaratkan perubahan dalam cerita film, meskipun perbandingan dengan karya sesama pembuat film horor James Wan, Tobe Hooper dan George Romero sangat tepat. Barbarian menawarkan banyak makanan untuk dipikirkan dalam perjamuan tengiknya dari neraka. Itu ada yang menggigit arus bawah yang sadar sosial yang membahas realitas suram yang ada sebagai wanita di AS-baik masa lalu maupun sekarang, baik yang tinggal di pinggiran kota yang terawat atau lingkungan kota yang “teduh”-bahkan berhasil menenun di subplot #metoo bahwa itu bahwa itu bahwa itu bahwa subplot #metoo bahwa itu bahwa itu bahwa itu bahwa subplot #metoo bahwa itu bahwa itu bahwa subplot #metoo bahwa bahwa itu bahwa itu adalah subplot #metoo bahwa itu bahwa #metoo bahwa itu bahwa #metoo subplot bahwa tidak terasa satu nada atau sepintas. Yang lebih mengesankan, Cregger menggabungkan garis pandang ini dengan dosis humor yang berat, tidak diragukan lagi dibantu oleh masa jabatannya sebagai anggota acara komedi sketsa IFC The Whitest Kids yang Anda ketahui. Barbarian menawarkan pandangan yang menarik tentang klaim yang sering tidak diucapkan oleh pria telah lama percaya bahwa mereka memiliki tubuh wanita. Ini melakukan pekerjaan yang sangat baik dalam menyandingkan alasan -alasan dangkal untuk kekerasan gender dengan taktik mengerikan dan keji untuk melepaskan wanita dari otonomi tubuh mereka (dan kemanusiaan mereka), mengungkap sifat jahat dari misogyny budaya yang mendarahi secara mendalam ini. Dengan luka yang masih mentah dari pencabutan baru -baru ini dari Roe v. Wade, fiksasi Barbarian tentang ancaman pemerkosaan yang ada di mana -mana dalam hits masyarakat kita sekeras (semoga) yang pernah bisa. Tidak pernah menikmati kebrutalan yang mencela, film ini memiliki hati di tempat yang tepat. Ia menolak untuk menggambarkan pelanggaran seksual di layar, dengan cerdik mengilustrasikan kebesaran dari realitas yang menyedihkan ini tanpa mengeksploitasinya untuk nilai kejutan yang dangkal. Namun, bahkan dengan niat terbaik, Barbarian akan tanpa ampun menjalankan Anda melalui pemeras, membiarkan segi-segi Amerika yang kacau ini benar-benar merusak layar-dan kewarasan Anda-selama 102 menit yang sangat tegang.-Natalia Keogan


9. Black Panther: Wakanda Forever

Tanggal Rilis: 11 November 2022 Direktur: Ryan Coogler Stars: Letitia Wright, Lupita Nyong'o, Danai Gurira, Winston Duke, Florence Kasumba, Dominique Thorne, Michaela Coel, Tenoch Huerta, Martin Freeman, Angela Bassett Rating: PG-13 Runtime : 161 menit November 11, 2022
Director: Ryan Coogler
Stars: Letitia Wright, Lupita Nyong’o, Danai Gurira, Winston Duke, Florence Kasumba, Dominique Thorne, Michaela Coel, Tenoch Huerta, Martin Freeman, Angela Bassett
Rating: PG-13
Runtime: 161 minutes

Black Panther: Wakanda Forever boasts the same director in Ryan Coogler (and the same writing team of Coogler and Joe Robert Cole), who have again created a story whose conflicts and character arcs go deeper than the average MCU fare. Of equal importance, Wakanda Forever again features the Oscar-winning talents of Hannah Beachler (production design) and Ruth E. Carter (costume design). Wakanda remains a vividly realized Afrofuturist cityscape (even in mourning), and the MCU’s newest kingdom, Talokan, though markedly less flashy than James Wan’s Atlantis in Aquaman, feels as real and wondrous as a fictitious Aztec/Mayan underwater realm should. The cast is mostly the same, with Michael B. Jordan’s scene-stealing antagonist Erik Killmonger replaced by Tenoch Huerta’s similarly compelling and cleverly reimagined anti-hero Namor (who is much more integral to Marvel Comics—and likely the MCU—than Killmonger). But how keen the loss contained in that word—“mostly.” Chadwick Boseman’s portrayal of T’Challa was a magical piece of casting alchemy on par with Chris Evans’ Steve Rogers. Coogler confronts the loss directly in Wakanda Forever in a beautiful opening tribute to both actor and character. T’Challa’s funeral is a reminder of just how strong the cast is overall, providing Angela Bassett, Letitia Wright and Danai Gurira some grief-themed scene-chewing of their own. Where Thor: Love and Thunder felt like a lighter, sloppier version of its predecessor, Wakanda Forever feels like a well-considered, necessary next step for a franchise rocked by loss. It’s a tad overstuffed—an entire sub-plot involving Everett Ross (Martin Freeman) feels more like Feige fiat to ensure certain characters and developments are sufficiently presaged—but that only serves as a reminder of the fine line between “laying groundwork” and overpacking. Despite the daunting challenge faced by Coogler and his team, Black Panther: Wakanda Forever feels like the surest step taken in the MCU since Thanos was reduced to ash. It’s both an impressive achievement and a promising development, especially when considers the strong comic book connections between Namor, mutants (he is one), and a certain fantastic foursome on the MCU horizon.—Michael Burgin


8. The Menu

Release Date: November 18, 2022
Director: Mark Mylod
Stars: Anya Taylor-Joy, Nicholas Hoult, Ralph Fiennes, Hong Chau, Janet McTeer, Judith Light, John Leguizamo
Rating: R
Runtime: 107 minutes

Early in The Menu, director Mark Mylod’s beautiful, intricate dark comedy set amid the trappings of exclusive restaurant culture, a character explains that, for him, art doesn’t matter. Films aren’t important. Neither are books, paintings or music. Food, he tells us, is the purest and best art form, because a great chef’s medium is “the raw materials of life and death.” Like just about every piece of dialogue in the film, written with fiendish joy by Seth Reiss and Will Tracy, it’s both funny in the moment and unexpectedly profound in the larger context of The Menu’s dark game. Yes, the enigmatic master chef at the heart of film is playing with the raw materials of life and death on his plates—seafood, fungi, roast chicken, flash-frozen microgreens and plenty of artful foam—but the menu he’s developed, and the film that depicts it, is also dealing with the raw materials of human human life and death. The list of ingredients is long, the techniques complex, but everything is whipped like egg whites into something so light and airy you barely notice the bitterness until it smacks you in the teeth. The restaurant at the heart of this heady recipe is Hawthorne, a fabulously expensive establishment run by the demanding, precise Chef Slowik (Ralph Fiennes, sharp as carbon steel) from a private island where all the ingredients are local and a seat at the table will set you back more than a grand. Hawthorne serves just 12 diners per service, and on the night we journey to the island, they include everyone from a couple of regulars (Judith Light, Reed Birney) to a renowned and famously hard-to-please food critic (Janet McTeer) to a fading movie star trying to build a second career as a travel show host (John Leguizamo). The film is interested in each of these personalities to varying degrees, but turns particularly sharp focus on Margo (Anya Taylor-Joy) and Tyler (Nicholas Hoult), a mismatched couple with very different views of what they’re about to experience. Yes, all the ingredients are treated with care, and the film’s early developments are placed with the precision of a single sprig of chives tweezed onto a plating, but the film’s dark secret is that it’s not here to be subtle. Its true strength is not in tweezers, or carefully engineered molecular gastronomy, but in the furious swipes of a cleaver coming at your head. The complexity, both tonally and visually, is there to tease out the film’s black genre heart, and it’s that heart that makes The Menu a delicious and deeply filling experience that will make you beg for a second helping.—Matthew Jackson


7. Armageddon Time

Release Date: October 28, 2022
Director: James Gray
Stars: Anne Hathaway, Jeremy Strong, Banks Repeta, Jaylin Webb, Anthony Hopkins
Rating: R
Runtime: 114 minutes

Paul Graff (Banks Repeta) knows that something is off about the new private school he was just sent to. Something off, aside from the frigid instructors, the sea of overwhelming adolescent support for Ronald Reagan—the same man Paul’s parents guffaw at on the television—the bad words classmates throw around towards children Paul used to see back in public school and the ominous presence of wealthy donors Fred and Maryanne Trump (John Diehl and Jessica Chastain, respectively, hilariously), who urge the student body to understand that they will have worked hard to get the best that America has to offer them. In his follow-up to 2019’s interplanetary Ad Astra, James Gray comes hurtling back down to earth: Armageddon Time finds Gray in the well-tread territory of his native New York. In his most personal outing with the city he once felt the need to escape from, he contends with past mistakes and cultural conceptions that, as a child, he could not fathom. We follow Gray’s surrogate, Paul, an unruly but always likable child from a characteristically chaotic, animated Jewish family. His difficulty following rules and idealization of an artist’s life lead some to come to the conclusion that he’s “slow.” But Paul isn’t slow, he just has difficulty fitting in—not unlike his friend Johnny (Jaylin Webb), a rebellious Black classmate held back twice, who shares Paul’s penchant for dreaming big and disrespecting authority figures. Paul wants to grow up to be a famous artist, while Johnny fantasizes about joining NASA and walking on the moon. As young actors each with already a handful of titles under their belt, Repeta and Webb hold their own, almost entirely carrying the film themselves and playing off one another beautifully. Charming and exasperating in equal measure, the two are clearly very gifted, evoking the innocence, frustrations and heartbreak of youth with honest emotional depth. Their characters have their heads in the clouds as any child does, and they quickly find solace in their kindred, boisterous spirits. Gray does a fair job at handling the film’s issues of race with tact. His aim is to underscore the lack of conception he once had for his privilege of disappearing into acceptable, Christian whiteness—the very kind that his family once fled and has now become complicit in. Gray interrogates his younger self, but doesn’t redeem him. Instead, Armageddon Time is a thoughtful examination of one’s own limited perspective of whiteness, expounding upon how a young child’s naivete can be as dangerous as a direct act of prejudice.—Brianna Zigler


6. Decision to Leave

Release Date: October 14, 2022
Director: Park Chan-wook
Stars: Tang Wei, Park Hae-il
Rating: R
Runtime: 138 minutes

A detective finds himself falling for his murder suspect, who is fingered for killing her husband. If that sounds like a plot ripped straight from an Alfred Hitchcock film, that’s because it’s textbook Park Chan-wook. The Korean director has been taking inspiration from Hitchcock for much of his career, one defined by twisty mysteries and perverse thrillers that the Master of Suspense likely could never have fathomed. Park’s latest is perhaps the director’s most Hitchcockian in the most crucial aspects, though also more subdued compared to his track record. Hae-jun (Park Hae-il) is an overworked detective who is—in true clichéd, noir form—married to his job more than to his actual wife. The latter lives in quiet, foggy Iso while the “youngest detective in the country’s history” works weeks in Busan, where the crime and murder that sustains him runs rampant. The couple tends to talk about how to keep their marriage lively instead of actually acting upon it. Hae-jun’s wife (Lee Jung-hyun) relays helpful facts about the health benefits of having regular sex, suggesting that they commit to “doing it” once a week. Still, Hae-jun spends more time on stake-outs than in his own bed due to insomnia, which plagues him as a symptom of his pile of unresolved cases. Concurrently with another active case, Hae-jun finds himself adding another crime to his growing folder: A mountain-climber who fell tragically to his demise. Though by all appearances an accident (despite the late climber’s proficiency), the mountaineer’s much younger Chinese wife, Seo-rae (Tang Wei), quickly elicits suspicion from Hae-jun and his hot-head partner Soo-wan (Go Kyung-Pyo). Park introduces the film’s femme fatale in the most unassuming way: Camera on Hae-jun, with her measured voice off-screen as she enters the morgue to identify her deceased husband. Hyper-stylized, surprisingly funny and a little convoluted, at its heart, Decision to Leave is a tragic story about love, trust and, of course, murder. Arguably, Decision to Leave is more of a romance than anything else; the crime/mystery aspect of the narrative is the least interesting part, though one could assume that’s entirely intentional. While not negligible, the crime is more of a conduit through which the real meat of the story, the relationship between Hae-jun and Seo-rae, is catalyzed and slowly evolves. Their romance is dependent upon requited longing and looming, unresolved threat—the kind of threat that fuels Hae-jun’s sleepless life, the kind that he can’t live without. From the string-centric score to the noir archetypes, to the themes of romance, betrayal, obsession and voyeurism, Decision to Leave is Park’s most clear evocation of Hitchcock to date. Because of this, it becomes somewhat evident where the story will go, even when things take a turn. But the familiarity of the crime narrative reads as intentionally superficial, a vehicle for a more unconventional exploration of the standard detective/femme fatale romance which has laid the foundation for Park’s own sumptuous spin. While not Park’s best work, nor a masterpiece, Decision to Leave is an extravagant and hopelessly romantic thriller that weaves past and present into something entirely its own.—Brianna Zigler


5. TÁR

Release Date: October 7, 2022
Director: Todd Field
Stars: Cate Blanchett, Noémie Merlant, Nina Hoss, Sophie Kauer, Julian Glover, Allan Corduner, Mark Strong
Rating: R
Runtime: 158 minutes

Lydia Tár’s fabled career can be summed up in one four-letter word: EGOT. The all-consuming subject of writer-producer-director Todd Field’s TÁR joins rank with Tracy Jordan as one of the only fictional forces of gravity to pull it off. A career composer, Tár (Cate Blanchett) climbed the ranks from prestigious orchestra to more prestigious orchestra until she mounted the top of the totem. A titan of the medium, a la Leonard Bernstein (her mentor), she’s managed to usurp critique through sheer contribution, an untouchable virtuoso. But power is fleeting. Once a symbol of modernity, a harbinger of artistic progress breaking ground for women conductors, now she breathes smoke. She doesn’t see it, but everyone else can—uncritical, exploitative, out of touch, legendary debris from an imploding generation hellbent on teaching a lesson. She’s come full circle in her philosophies by the time we meet her in her 50s. On a scale from The Assistant to TMZ, TÁR is as much the former as a Hollywood-made cancel-culture narrative can be. Most of the film snails along with a still yet compelling subtlety, hovering in the consequential despair of actions past, the spaces in between. The dry, tense tone is interrupted every so often by the discordant tuning of an orchestra, or an explosive performance at the conductor’s podium in Berlin, or a rare crumb of confession, until the mood suddenly shifts from slow spiral to imminent plane crash and the drama sets in. Field’s first film in 16 years lands with a thud. Not a crack, or a bang, or a boom, but a lead-heavy thud—the kind that shakes the earth after the toppling of a giant, slow-falling tree, one that takes two hours and 38 minutes to hit the ground. If we measured the maestro’s intelligence the way Schopenhauer did, by one’s “sensitivity to noise,” she’s all but illiterate at this point, incapable of sitting down at the piano without looking over her shoulder or going for a run in fear of her own footsteps. We witness it in slow motion with rapt attention, always out of the loop, Tár’s every move taking on more severity, more self-assurance, more insecurity, until it can’t.—Luke Hicks


4. Top Gun: Maverick

Release Date: May 27, 2022
Director: Joseph Kosinski
Stars: Tom Cruise, Jenifer Connelly, Miles Teller, Jon Hamm, Monica Barbaro, Ed Harris, Val Kilmer, Jay Ellis, Glen Powell, Lewis Pullman, Danny Ramirez, Greg “Tarzan” Davis
Rating: PG-13
Runtime: 137 minutes

Not quite four years since Mission: Impossible—Fallout and much of Tom Cruise’s purpose remains the same—if it hasn’t exactly grown in religious fervor. In Top Gun: Maverick, the sequel to Tony Scott’s 1986 original, Cruise is Captain Pete “Maverick” Mitchell, a man trapped in the past, refusing to advance his career as resolutely as he refuses to do much of anything besides continue to prove he’s the greatest pilot in the world—a title the film never forgets to remind the audience that Maverick earned long ago—and mourn his best friend, Goose (Anthony Edwards), who died 35 years ago in an accident for which Maverick still feels responsible. Tom Cruise is also, simply, “Tom Cruise,” the only notable show business scion left to throw his body into mind-numbing danger to prove that it can be done, to show a younger generation that this is what movies can be, what superstars can do. Must do. The more modern action films teem with synthetic bodies bursting apart at the synthetic seams, the more Tom Cruise builds his films as alters upon which to splay his beautiful sacrificed flesh. To that end, Joseph Kosinski is the precisely correct director to steer Cruise’s legacy sequel. As was the case with Kosinski’s Tron: Legacy, Maverick seems to exist to justify its existence, to update an IP that seems to only work in the past. For Top Gun this means translating Scott’s vision of sweat-drenched beach volleyball and unmitigated military spectacle into a soberer IMAX adventure, moving from the halcyon days of Reagan’s America to a world with no more need of a man like Maverick. “The future’s coming, and you’re not in it,” he’s told; every one of his superior officers appears to have no patience for him left. One can’t help but imagine that every new Tom Cruise vehicle is a way for him to reckon with that. Kosinski’s dogfights are pristine, incredible feats of filmmaking, economical and orbiting around recognizable space, but given to occasional, inexplicable shocks of pure chaos. Then quickly cohering again. If Scott’s action was a melange of motion never meant to fully cohere, keeping the American dream just that, then Kosinski is dedicated to allowing the audience a way into the experience. With his regular cinematographer Claudio Miranda, he revels in symmetry to keep the audience tethered. A wide glimpse of a dogfight in total, resembling a beach scene earlier, so suddenly appeared silently in the vast theater and unlike anything I’d ever really seen before, I gasped.—Dom Sinacola


3. A Couple

Release Date: November 11, 2022
Director: Frederick Wiseman
Stars: Nathalie Boutefeu
Rating: NR
Runtime: 61 minutes

Half an hour into Frederick Wiseman’s A Couple, which happens to also be its halfway point, the camera cuts to and rests on a rapid stream of ants crawling on a log. They scrabble over bark, scoot across exposed wood and weave in and out of splintering crevasses. For myrmecophobic viewers, the sequence is a 14-second nightmare. For Wiseman, it’s a clever visual metaphor comparing the way his subject Sophia Tolstoy lived in service to others with the way ants live in service to the colony. The scurrying mass looks chaotic, but it’s all for the sake of achieving an existential harmony humans rarely find. Wiseman and Nathalie Boutefeu, his star and co-writer, based A Couple on Sophia’s diaries, molding them into a roughly 60-minute dialogue with their audience, performed by Boutefeu, who wanders between verdant gardens, hushed forests and the meandering, gelid shoreline of Belle-Île, an island within spitting distance of Brittany, where the film was shot. Wiseman, 92 years young and rocking the easygoing vigor of a filmmaker in their 30s, chose his location for a handful of reasons. Practically, shooting in a remote setting kept him safe from COVID back when everyone lived in confinement. Dramatically, Belle-Île gave Boutefeu the space necessary to breathe life into Sophia’s angst-wracked missive to her husband, Leo Tolstoy, because to be Sophia was to be cast in his shadow at all times. Boutefeu enjoys all of A Couple’s oxygen. Belle-Île gave her limitless freedom to bond with Sophia’s spirit and channel her myriad feelings about her legendarily irascible husband, hopelessly tangled with one another as they are: In the same scene, even in the same sentence, Sophia takes emotional journeys that start with earnest love for Leo, shift to anger, bleed into grief and settle down back into love again. Listening to her reminiscences gives the impression that being married to Leo meant spending 30 years and change on a rollercoaster. The part of him that loved Sophia was every bit as sincere as the part of him that resented and loathed her, and worst of all, as the part of him that simply didn’t care enough to pay her any mind. That’s the cost of being hitched to great, difficult, genius men, A Couple suggests. Though A Couple is his first narrative feature in 20 years, the narrative structure documents history by fashioning Sophia’s diaries and letters as a performance. But Wiseman likely would prefer not to go through life known only as “the documentary guy,” and, in fairness, A Couple lets him set aside that label for one blessed hour of immaculate narrative filmmaking.—Andy Crump


2. The Banshees of Inisherin

Release Date: October 21, 2022
Director: Martin McDonagh
Stars: Colin Farrell, Brendan Gleeson, Kerry Condon, Barry Keoghan
Rating: R
Runtime: 114 minutes

Whether we wear it on our sleeves or bury it somewhere down in the darkest part of ourselves, we all carry the fear that someday someone we trust and love will simply decide to abandon us. It lives somewhere in each of us in the same vicinity as the fear that, someday, inexplicable and motive-less violence will descend on us and our loved ones—a little knot of dread waiting to unspool. But this fear is quieter, simpler and, therefore, less-often discussed in the wider cultural landscape. There are a lot of films about sudden violence, but you don’t see as many feature-length explorations of straightforward, person-to-person departures. With that in mind, it would be easy to look to Martin McDonagh’s phenomenal The Banshees of Inisherin as some kind of fable, a dark fairy tale from a faraway time and place meant to cast long, shadowy metaphors over our own lives. If you’re willing to look closely, you’ll definitely find all the material you need to make those metaphors happen in your mind, but at the film’s Fantastic Fest premiere, McDonagh himself called it “a simple break-up story,” an exploration of what might happen to two men if one simply decided to cut ties with the other. So, is it a grand, fathoms-deep exploration of the bittersweet nature of human relationships, or “a simple break-up story” that’s just about one Irishman deciding he doesn’t want to see another Irishman anymore? In the end, it’s both, and that’s what makes The Banshees of Inisherin and its blackly hilarious portrait of everyday pain one of the best films of the year. Through beautifully framed shots rich with the texture of rustic stone walls and the warped glass of old windows, McDonagh takes us back to Ireland a century ago, where civil war rages on the mainland and things progress at their usual slow pace on the island of Inisherin. It’s here, with artillery fire raging in the background, that Colm Doherty (Brendan Gleeson) decides he’s done hanging out with his old pub pal Pádraic Súilleabháin (Colin Farrell). For some on the island, it makes a certain degree of sense—the creative and contemplative Colm and the more simple-minded Pádraic always were a mismatched pair—but for Pádraic, it’s a baffling, literal overnight tectonic shift in his life. He hopes Colm’s sudden distance is part of a fight that he somehow forgot, or a poor choice of words after one too many pints, but according to Colm, it’s painfully, frighteningly simple: “I just don’t like you no more.” It all creates an atmosphere that invites us to ask a question about what we’re watching: On the grand scale of time, does it really matter if one man decides to cut ties with another? Will history record it? Will anyone care? Or, when faced with our own mundane despair in the face of the vast wider world, is being nice to your neighbor the only thing that matters? McDonagh’s characters, and McDonagh himself, might not have an answer for us, but the film’s ability to call these questions to mind is evidence of its haunting power. In its unwavering devotion to the straightforward nature of its story, The Banshees of Inisherin has found something profound and universal, something that will leave you both laughing and shaken to your core. It’s the kind of film that crawls into your soul and stays there.—Matthew Jackson


1. Semua yang bernafas

Tanggal Rilis: 21 Oktober 2022 Direktur: Shaunak Sen Rating: NR Runtime: 94 Menit October 21, 2022
Director: Shaunak Sen
Rating: NR
Runtime: 94 minutes

All That Breathes, sebuah film dokumenter oleh Shaunak Sen tentang dua bersaudara - Muhammad Saud dan Nadeem Shehzad - di New Delhi yang mengatakan mereka telah menyelamatkan lebih dari 20.000 layang -layang (burung pemangsa India) selama dua dekade terakhir, sangat memikat. Ada cerita lain tentang duo medis amatir, bersama dengan asisten mereka Salik Rehman, tetapi tidak ada yang liris seperti film dokumenter ini. Saudara -saudara, mantan binaragawan yang tumbuh di daerah Chawri Bazaar di Old Delhi, mulai merawat layang -layang hitam yang terluka pada tahun 1997 karena kebutuhan. Film dokumenter ini menggunakan saudara -saudara dan hubungan mereka dengan burung -burung Carrion sebagai metafora untuk keadaan iklim lingkungan dan politik ibukota India, membentuk subteks halus dari akun utama. Menjaga lensa tetap fokus pada saudara -saudara yang bertengkar, asisten mereka yang ramah dan karton kardus yang tampaknya tak berujung yang mengandung layang -layang yang terluka yang menumpuk di ruang bawah tanah saudara, semua yang bernafas memungkinkan gambar dan percakapan tentang polusi yang mencekik serta protes massal yang meletus dalam hal baru Delhi pada tahun 2020 - ketika warga negara turun ke jalan -jalan untuk menantang Undang -Undang Amandemen Kewarganegaraan yang dikritik karena bertentangan dengan konstitusi sekuler India - untuk meresap ke dalam bercerita. Cara Sen dan timnya mendekati gagasan tentang kondisi atmosfer Delhi yang menghancurkan sangat menakjubkan. Sesekali, narasi yang mengikuti saudara -saudara pecah untuk memperbesar makhluk spesies lain. Adegan interstitial dari hewan lain, sering ditangkap dari pandangan mata, adalah ajaib. Sinematografi oleh Benjamin Bernhard sangat spektakuler dan diedit secara puitis oleh Charlotte Munch Bengtsen-terutama di mana seorang pria mengendarai kereta disko yang menyala melalui jalan kosong, yang diselimuti oleh kabut asap. Ini pemandangan yang luar biasa, sampai Anda datang ke adegan lain di mana Saud memberi tahu putranya bahwa ia tidak akan bisa bermain di luar sampai indeks kualitas udara tidak berkedip merah. - Aparita Bhandari

Apa 10 Film Terbaik Terbaik?

Film terbaik sepanjang masa..
2001: film Space Odyssey (1968).Fiksi ilmiah.....
Film Godfather (1972).Thriller.....
Citizen Kane (1941) Film.....
Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975) Film.....
Film Raiders of the Lost Ark (1981).....
Film La Dolce Vita (1960).....
Seven Samurai (1954) Film.....
Film In The Mood for Love (2000) ..

Apa film teringkat #1 di dunia?

1. Penebusan Shawshank (1994) Dua orang yang dipenjara ikatan selama beberapa tahun, menemukan penghiburan dan akhirnya penebusan melalui tindakan kesopanan bersama.The Shawshank Redemption (1994) Two imprisoned men bond over a number of years, finding solace and eventual redemption through acts of common decency.

Film mana yang memiliki peringkat 10 10?

Peringkat IMDB: 9.0 - 9.9.

Film apa yang memiliki peringkat 100%?

Sampai saat ini, No Leave Trace memegang catatan situs, dengan peringkat 100% dan 251 ulasan positif.Leave No Trace holds the site's record, with a rating of 100% and 251 positive reviews.